Chilean Journalism Practices And How They Have Evolved And...

Claudia Mellado and Claudia Lagos, journalism professors at Chilean universities conducted a study on Chilean journalism practices and how they have evolved and responded to changes within the culture. Different platforms took different directions depending on whether they were national and supported by the government or private and supported independently. (Mellado 140) As the Chilean government allowed more â€Å"freedom of speech† with the country, more media platforms came about. (Mellado 140) â€Å"During this time, the more professional press was born, looking more like what we understand as a newspaper† in addition to news, all forms of media took off in the early 20th century. (Mellado 140) As the Chilean government began to allow more†¦show more content†¦(Zagidullina 491) However, when the values of the nation change, and become more regulated, so does the press. As seen in both the study on Russia and Chile the press is greatly impacted by the cul ture of the country and the reign of the government. The past studies have determined that culture change has a great impact on journalism all over the world. Along with culture impacts is culture change, and how that influences the journalistic environment of a particular area. Culture change, as defined by Pearson’s Third Edition on Cultural Anthropology, changes in people’s ways of life over time by both internal and external forces. (Bonvillian 490) One of the most significant changes to the Western World in the current era is the invention and expansion of social media. Social media allows people to have instant communication with anyone from anywhere in the world, sharing ideas, pictures, video and even news. Modern events can be heard about from those who witnessed them and posted on social media before a news source is even on site. A team of researchers conducted a study on Popular Culture and Communication Practice that traced the evolution and changes in jou rnalism based on culture, communication and media changes. â€Å"Most research on popular culture address fiction, television, and forms of expression that aim at entertaining an audience† (Buhmann 8) However, this study goes in depth on the impacts of popular culture

Chen Xun s New Year s Sacrifice - 1762 Words

Lu Xun’s New Year’s Sacrifice (1924) begins with the narrator returning to their hometown for New Year after several years. The narrator can be said to symbolise the dilemma of an intellectual hoping for social reform but feeling helpless when it comes to helping women. The female protagonist is Mrs Xianglin who lives under three oppressive powers: that of the husband, of the father, and of religion. From the outset of the story, we are presented with a very traditional setting; we are introduced to Uncle Lu who is described as a â€Å"diehard Neo-Confucian of the old imperial college† and â€Å"a man ruled by superstition†. The narrator then goes on to describe the preparation for the New Year’s Sacrifice with the women as the workers â€Å"Hens are slaughtered // everything scrubbed and scoured until the women’s arms are soaked red†, however Lu Xun tactfully adds that although the women are the main labourers, they are excluded from ceremony, â€Å"Once devotions – from which women are banned – have been made, the firecrackers are lit.† This shows the reader that women appear to be the backbone of the household however are held in much less regard than their male counterpart. When Mrs Xianglin is introduced as a young widow, although however capable she may be, Uncle Lu is unconvinced in hiring her as she is a widow and may bring bad luck to the household; â€Å"Uncle frowned; my Aunt knew what was worrying him – the fact that she was a widow†. The patriarchal character represented as Uncle Lu

Theater Arts Free Essays

â€Å"Sitting in Limbo† is a play written by Dawn Penso and Judith Hepburn who are both Jamaican nationals living in London, the play was directed by Jo-Ann McCabe. â€Å"Sitting in Limbo† was held at the University of the West Indies Cave Hill Campus, Errol Barrow Centre for Creative Imagination; in the Walcott Warner Theater. The moon reading featured a trio of Barbadian actors: Amanda Cumerbatch as Yvonne Campbell, Philip Eno as the judge and radio announcer and finally Loretta Hackett as Nita George, on Monday 25th February 2013. We will write a custom essay sample on Theater Arts or any similar topic only for you Order Now The theatrical piece starts out with a contrast between two women, one of a fairly wealthy background and the other struggling to make ends meet this portrays a conflict between both women based on their differences which in the end both women overcame. The play about a prison warden, Nita George and prisoner Yvonne Campbell depicts a political disruption in Grenada’s annals which led to the imprisonment of Grenadian Phllis Coard. Immured along with her husband for assassinating Grenada’s elected Prime Minister, Nita presumes that Yvonne is a greedy woman with a thirst for predominance and that she is the main reason behind all the troubles in Grenada due to her pushing her husband into the overthrow of the Prime Minister. Nita openly affronts Yvonne, while Yvonne demands that she be respected because of her position in society and the â€Å"success† she has brought upon the country. Two years had passed and Nita’s views about Yvonne hadn’t changed but as the years went by for a total of seven years and they both opened up to each other and adapted to each other’s personalities Nita saw Yvonne as a woman with humanity and compassion. Although the play is mainly about the two characters Nita and Yvonne, the radio announcer plays a very important role, he notifies the audience about the amount of years passed and the fate of Grenada, the radio announcer practically gives viewers an idea of what was going on during the play. The trio has done an exceptionally great job on the piece ‘Sitting in Limbo†. The use of accents added a great effect on the nationality of the characters or the origin where the incident was being taken place. The use of costume was also great because one could identify which character was which , when Nita or Loretta wore the khaki shirt and the khaki pants it gave the audience a hint that she was some sort of guard or officer or in this case a prison warden. In Philip’s case the use of headphones gave the audience an idea that he was a Dj or a radio announcer. The use of the projection of bars gave the audience an idea that it was some kind of prison. The bars also reflected on how each woman felt inside, Nita trying to raise a family by herself in the economic struggles felt ‘imprisoned† because she wanted to live a better life, she wanted to reach for her goals but she could not do so because of the current situation but eventually ‘broke free â€Å"and decided to accept the offer her sister had given her. Yvonne although imprisoned literally felt† imprisoned† due to the fact that deep down inside she knew what she did was wrong but her arrogance and pride got in the way ,she’ broke free† by refusing to sign a contract which could have literally freed her by denying everything she had actually done. However they were some minor imperfections which were indeed noticeable, such as the backing of the audience, Phillip walking offstage before the fade had actually begun and where Loretta and Amanda had somewhat forgotten a bit of their lines. There were also some technical difficulties where as the fade would begin too early or a little too late but they but did not affect the theatrical piece it self. The play was a unique piece especially because it was my first time viewing a moon read play and because they tied in a fictional crisis into a play which I found very creative. The play also impacted the audience and made it an enjoyable play for them. How to cite Theater Arts, Papers